Recording Sounds

Recording More Sounds.

When we continued to edit our final film opening we realised that we needed one more sound in order for the audience to know what was happening in the sequence.

We had to record the sound of a purse falling onto the ground and so we went to a quiet place and recorded this using an actual purse a few times in order to get the right sound effect.

Soundtrack

• When searching for uncopyrighted music, we found tracks created by David Firth, and felt that the tracks 'Mortician's Wife' and 'so 2005' would be effective in out opening.

• I chose the track 'so 2005' as I was inspired by the use of contrapuntal sound in the opening sequence of the film 'The Woman in Black', in which the music has a positive tone, and contrasts with the sinister images seen in the sequence.

• 'Mortician's Wife' is more effective for the second half of the sequence, as its ominous tone is more pronounced.  This is useful for our sequence, as we need the tension to build towards the end of the sequence, in which the killer approaches their victim.

• However, I asked peers for feedback on this use of sound, and some stated that the slow pace of the music contrasted too heavily with the fast, jumpy pace at which the shots change.
• Therefore, I feel that another upcopyrighted piece of music may need to be used.

'Glitch' Non-Diegetic Sound

• As the flashbacks occur in our opening, non-diegetic 'glitch' sound effects can be heard, to emphasise the contrast between the happiness surrounding the victim, and the horror surrounding the killer.
• These glitch sound effects were found on vimeo:

• I also created glitch sound effects by warping recorded sounds, using garageband.
• These sounds are parallel to the flashback shots that occur within the sequence.

• Initially, the sound effects are quiet, but grow in volume as the sequence continues, to give the sequence a 'jumpy' mood.

• Overall, I feel that these non-diegetic sounds are effective as they contrast with the calm mood in the beginning of the sequence and therefore create a sinister ambience.  Furthermore, the flashback shots are less confusing and out of place when paired with the sounds.

Editing

• In order to put our footage together in a way that will be comprehensible, I began with the shots on the bridge, in the street and in the alleyway (the shots of the killer's victim- Ellie).
• The shots in the killer's garage will also be put together separately, to ensure that the storyline is clear before both settings are put together.

• I have also used the flashback footage between some shots, in order to introduce the horror genre to the audience early on.
• Each of the flashback shots are cut down to less than a second each, and they cut back to the same shot (for example, the close up shot of Ellie, seen below) as before.

• I considered using a cross blur transition effect between the flashback shots and the 'present day' shots, however, I felt that simple straight cut edits were more effective, as they have a jumpy, jolting effect: a jumpy tone is a key feature of most horror genres.
• I also considered using a cross blur transition effect between the footage and the credits, but I felt that continuing with straight cuts would help the sequence have a consistent style throughout.

• The area I have been having the most difficulty with, is editing the colours in the shots.
• As the shots are largely set outdoors, making sure the lighting and colours are consistent throughout all the shots has become a hindrance.
• For example, some shots have brighter, more orange sunsets than others.
• I used the colour, saturation and exposure tools to edit the colours of the shots.

• For example, here, I had to make the tracking shot of Ellie more saturated and have a more orange tone in order to match the colours in the other shots on the bridge.

• Similarly, I had to make some shots darker, in order to show the transition from day to night:

Here are 44 seconds of edited footage:

Editing Footage

I started editing some of the footage the group has compiled as we have finished filming most of our opening and need to start the editing process. As it was my first time editing and using Final Cut Pro software, I only made minor changes such as colour correction and cutting unneeded footage.

To begin with I experimented with some of the special effects the software offered, but did not include any in the end as I felt they made the footage look more amateurish than before.

Next I experimented with saturation and exposure levels. As the footage is going to be used in a scene set at twilight/dusk, it needed to be made slightly darker and more shadowy, as it had been shot at an earlier time to ensure it was visible. To achieve this, I decreased the brightness of the footage slightly and brought the shadows that were already present forward.

Then I changed the colour filters on the footage to make it look a little darker and colder. To do this I increased the darker blue and purple tones in the footage and experimented with the more yellow tones in the religious mural to complement the yellow colour already present.

After making colour and lighting corrections I used the blade tool to cut unneeded footage, as the total footage we had was over 8 minutes long. I reviewed the footage and decided which shots were the most effective and looked the best after the corrections and kept those shots, cutting nearly 5 minutes of unneeded footage. 

Evaluation

I feel that while this editing session was successful, I didn't so as much as I could have if I had more experience using editing software. To improve next time, I will edit more footage to gain more experience with the software and improve the quality of the project.

Recording of Sounds

For our film opening we would be needing some diegetic sounds to overlay on top of our non-diegetic sound we will have throughout the film opening.

First of all we decided to record basic footsteps to use in the film opening. We waited until our surroundings were quiet and then had one of us walk down a corridor whilst the other recorded the sounds that were made. We ended up with having two sets of recordings for the footsteps as one sounded better than the other in some ways, it was louder and seemed to be more realistic.



The next diegetic sound we recorded was that of a door opening. We found a fairly old door that would make a lot of noise that we could capture when we were to open it. The noise it made was very realistic when we listened back to the recording.




The final sound we recorded was of the same door closing. We used the same door so that it would sound similar to when it was being opened but instead in reverse to portray that fact that the door would be closing instead of opening like in the previous sound clip.




Evaluation.

• Overall I believe the sounds were quite well recorded and sounded like we wanted them to.
• There may be some fuzzy sounds that can be heard in the background from the recorder so we may need to consider re-recording again
• The sounds we recorded were what we needed for our film opening.

Evaulation of Garage Shoot

• Here are 3 sections from a clip I filmed in which I used a macro lens.
• By using the macro lens I was able to have close up shots of the jars of high quality.
• In these shots I tried with experimenting with the use of light and using different motions.
• In the first shot, I shook the torch a little to give the handheld effect.
• In the second shot, I used a smooth and steady motion upwards.
• This was to give the illusion the killer was scanning the dark lair looking for something.
• In the final section I went in to grab the jar. I did this as I feel this shot would make the audience aware that the killer is present in the scene and just off-screen/his perspective.
• Overall this was one of the better shots from my macro shots of the jars as it highly effective in projecting a dark and bloody atmosphere.

• In this shot I looked more into the contents of the jar.
• By using a macro lens I have